Walter Martin Art Collections
Shop for artwork from Walter Martin based on themed collections. Each image may be purchased as a canvas print, framed print, metal print, and more! Every purchase comes with a 30-day money-back guarantee.
Artwork by Walter Martin
Each image may be purchased as a canvas print, framed print, metal print, and more! Every purchase comes with a 30-day money-back guarantee.
Como Colorado by Walter Martin
Como by Walter Martin
wild grass by Walter Martin
Riverside cemetery by Walter Martin
Night crawler by Walter Martin
Reflections by Walter Martin
on the beach. by Walter Martin
Red pail by Walter Martin
Running the dog by Walter Martin
Buffalo Peaks by Walter Martin
This old cemetery by Walter Martin
Barnyard by Walter Martin
Ghost Ranch revisited by Walter Martin
Springtime in the Rockies. by Walter Martin
South Park, Co. by Walter Martin
The ghost ranch. by Walter Martin
Rainy day railyard. by Walter Martin
Little siper. by Walter Martin
weeds by Walter Martin
Cat face by Walter Martin
Hummingbird by Walter Martin
Trout Creek Pass by Walter Martin
Wah Mountain by Walter Martin
Closeup Columbine by Walter Martin
Displaying: 1 - 24 of 447
About Walter Martin
Photography was something Martin did not choose . . . but rather it chose him. He was hooked from the moment he first pealed the pages of Life Magazine all those many years ago. Viewing the world through the eyes of such giants as W. Eugene Smith, Walker Evans, Dorothea Lang and so many others became his epiphany. Those publications became Martin's window into the landscape of the human condition.
Martin began his formal training in the late 1960's attending the Army School of Photography at Fort Monmouth New Jersey. He later studied Fine Art at Montana State and later made his way to Colorado were he found work as a graphic artist working for a number of not for profit organizations.
Although retired Martin still keeps a hand in the game exhibiting his work in a number of galleries and shows throughout the Southwest.
"Although my work is primarily intuitive a good deal of deliberation goes into my subjects.
I try and convey a subtle visual tension in the images I create. I feel that
my work becomes real to the viewer
when it evokes an emotion that reaches beyond the visual".
It is the economy of subject that is the most universally understood.